The
Living
Archive

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The Living Archive explores the potential of (post)industrial heritage to transform production in our cities. We collect stories with participatory heritage methods. The nodes for the local collection efforts are Fab City Hubs (FCH). The collection has been carefully assembled by FCH teams who have been learning about, co-creating and applying participatory heritage-making approaches, emotion networking methodology, oral history principles and creative perspective-taking.
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This project has received funding from the European Union's Horizon 2020 Research and Innovation programme under grant agreement n. 869595

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Past Meets Present at Minjastofa

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This story is about...

Subject:Minjastofa exhibition

Collected in:Blönduós

Using:"Interview (online via Zoom) ; review of collection of historical data

Date of Events:20th century, today

Related Locations:Blönduós, Iceland

Past Meets Present at Minjastofa

Place

Concepts

People

Live

Products

School

Museum

Education

Activists

Preserve

Artefact

Textile

Tradition

Museum

Art to bring Sesvete closer

Viggo's Bar

Tools alive

Enclave of Creativity, Production and Collaboration

Tortona: The Alchemy of Art in the Industrial Heart

Remembering a factory community

Weaving and teaching

Biking through time with Museum Amsterdam Noord

Nature protection and industrialisation

Thread Obsession

Building the Bridge

Þæfingur

Traditional jewelry for different futures

Tailor Veli Sahin

Same space, new identity

Four women's colleges

Peeter, Soul of Kopli 93

Seaweed Dialogues

The Hearty Party

Minukopli, MyKopli

Roland the beekeeper

The Evolution of Via Novi

Unveiling urban transformations

Local wood for local use

A Small Town on the Map

Follow the Thread

Tortona-Solari: A Changing Community

Upcycling Heritage

Circular professionals in a linear market

The Wool Production Pioneer

Hard work and traditional people

If you lose your tongue...

Kopli 93 is a living organism

Introducing: The TextileLab

Centring politics in Sesvete

The Marriage Market

Emotion Networking the 'Working Space'

Past Creativity

Stakeholder views: activities in the Women's College

The CARMA Collective

I came to Kopli because of Kopli

Reflecting on European Heritage Days

Glacial Bio Pottery

A short time travel

Art needlework and symbolic language

The Great Weaver

A resource center based on values

Birth of a Hub

The Industry Still Lingers

The sounds of machinery still churn

A Ghost Story

Weaving Memories

The last market gardener of Paris

The trees are climbing the walls

The tensions of Kvennaskólinn

Minjastofa – exhibition at the Blönduós Women's College is a cultural heritage exhibition on the history of the Women‘s College, which operated from 1901 to 1978. It was set up by the society "Friends of Kvennaskólinn" in 2005, and features four rooms decorated in the original style, as well as artefacts donated by former students and Elín Briem, the college's first principal. After the shutdown of the Women’s College in 1978 there was uncertainty about the fate of the interiors. Aðalbjörg Ingvarsdóttir, the last principal of the College, made a register over the interior which had been untouched after the school was closed down permanently. Aðalbjörg recalls: “I knew where to start but not where to quit. It was a major effort, it took me months, and then the items were locked down in three rooms, pictures, paintings and all kinds of objects and textiles and small things and items.” The Friends of Kvennaskólinn under the lead of Aðalbjörg had worked for the protection and preservation of the Women’s College building. In 2005 they set up an exhibition with the collected items “so people would get the opportunity to see the things that nobody had seen for decades” Aðalbjörg explains, “and the exhibition was so well received that it was made permanent.” As of today, Minjastofa – Exhibition represents the past and is faced with the needs of the Textile Centre which is soliciting the rooms allocated to the exhibition. Is it possible to reconcile the different views and needs of the Friends of Kvennaskólinn and the Textile Centre with a due respect to both parties?

Why is this story relevant?

The story is important as it brings forward the creation of the Minjastofur - Exhibition. However, it also shows how it lacks connection with current
activities and the space it takes up in the building.The Minjastofa -
Exhibition represent the past and in that way a stagnation, while the
Textile Center represent the future and development.

Story and image contributed by University of Iceland researchers Þorgerður J.
Einarsdóttir and Laufey Axelsdóttir

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